Sons of  Water

  

This is not your father’s UNION:
This is an opportunity to  regain your pride, and participate in the privledges  allowed   unions  and  the mob.   We are  the unholy mix  of a government supported Trade Union,  a Water based Bikers Club,  and an artist alliance. [not your fathers yacht club]  embracing “a lost way of life” and  exploring an ancient  democracy  which has unfortunately  been corrupted: sold,  emptied and dissipated by  Law,  Leaders  and the Landed.

If it were a movie and someday it will be: “The Sons of Anarchy meets Waterworld:”

The  LAST  Continent: The Un-Territory

Africa, the Americas, Antarctica, Asia, Australia together with Oceania, and Europe

In america the past few decades has been reproted a migration to the coast. People vote with their feet and what they are walkin to is the coast.  What few people know it that they, if given the choice, they would not stop at the waterfront propety, but would walk out onto the water.

Reclamation of the freedom inherent in  the wet lands.  Broken Docks, Polluted Water, the Gowanus canal of the heart:  salvation of the self in the  forgotten  the ruined the wrecks.

Its the kind of organization that we are going to need when the the tides rise and the end comes,…… Irates  .     We lose the “P “in Pirates  the merging of Pirates with modern boateres[ definition: the outlaw faction of modern boaters]  [See the Gowanus water Vaccum]

About the Author:

My life’s struggle is  return the Water to its traditional Kultur:

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Op-Ed Contributor

Crippling the Right to Organize

By WILLIAM B. GOULD IV
Published: December 16, 2011

Stanford, Calif.

Curtis Jinkins

 

Related

UNLESS something changes in Washington, American workers will, on New Year’s Day, effectively lose their right to be represented by a union. Two of the five seats on the National Labor Relations Board, which protects collective bargaining, are vacant, and on Dec. 31, the term of Craig Becker, a labor lawyer whom President Obama named to the board last year through a recess appointment, will expire. Without a quorum, the Supreme Court ruled last year, the board cannot decide cases.

What would this mean?

Workers illegally fired for union organizing won’t be reinstated with back pay. Employers will be able to get away with interfering with union elections. Perhaps most important, employers won’t have to recognize unions despite a majority vote by workers. Without the board to enforce labor law, most companies will not voluntarily deal with unions.

If this nightmare comes to pass, it will represent the culmination of three decades of Republican resistance to the board — an unwillingness to recognize the fundamental right of workers to band together, if they wish, to seek better pay and working conditions. But Mr. Obama is also partly to blame; in trying to install partisan stalwarts on the board, as his predecessors did, he is all but guaranteeing that the impasse will continue. On Wednesday, he announced his intention to nominate two pro-union lawyers to the board, though there is no realistic chance that either can gain Senate confirmation anytime soon.

For decades after its creation in 1935, the board was a relatively fair arbiter between labor and capital. It has protected workers’ right to organize by, among other things, overseeing elections that decide on union representation. Employers may not engage in unfair labor practices, like intimidating organizers and discriminating against union members. Unions are prohibited, too, from doing things like improperly pressuring workers to join.

The system began to run into trouble in the 1970s. Employers found loopholes that enabled them to delay the board’s administrative proceedings, sometimes for years. Reforms intended to speed up the board’s resolution of disputes have repeatedly foundered in Congress.

The precipitous decline of organized labor — principally a result of economic forces, not legal ones — cemented unions’ dependence on the board, despite its imperfections. Meanwhile, business interests, represented by an increasingly conservative Republican Party, became more assertive in fighting unions.

The board became dysfunctional. Traditionally, members were career civil servants or distinguished lawyers and academics from across the country. But starting in the Reagan era, the board’s composition began to tilt toward Washington insiders like former Congressional staff members and former lobbyists.

Starting with a compromise that allowed my confirmation in 1994, the board’s members and general counsel have been nominated in groups. In contrast to the old system, the new “batching” meant that nominees were named as a package acceptable to both parties. As a result, the board came to be filled with rigid ideologues. Some didn’t even have a background in labor law.

Under President George W. Bush, the board all but stopped using its discretion to obtain court orders against employers before the board’s own, convoluted, administrative process was completed — a power that, used fairly, is a crucial protection for workers. In 2007, in what has been called the September Massacre, the board issued rulings that made it easier for employers to block union organizing and harder for illegally fired employees to collect back pay. Democratic senators then blocked Mr. Bush from making recess appointments to the board, as President Bill Clinton had done. For 27 months, until March 2010, the board operated with only two members; in June 2010, the Supreme Court ruled that it needed at least three to issue decisions.

Under Mr. Obama, the board has begun to take enforcement more seriously, by pursuing the court orders that the board under Mr. Bush had abandoned. Sadly, though, the board has also been plagued by unnecessary controversy. In April, the acting general counsel issued a complaint over Boeing’s decision to build airplanes at a nonunion plant in South Carolina, following a dispute with Boeing machinists in Washington State. Although the complaint was dropped last week after the machinists reached a new contract agreement with Boeing, the controversy reignited Republican threats to cut financing for the board.

In my view, the complaint against Boeing was legally flawed, but the threats to cut the board’s budget represent unacceptable political interference. The shenanigans continue: last month, before the board tentatively approved new proposals that would expedite unionization elections, the sole Republican member threatened to resign, which would have again deprived the board of a quorum.

Mr. Obama needs to make this an election-year issue; if the board goes dark in January, he should draw attention to Congressional obstructionism during the campaign and defend the board’s role in protecting employees and employers. A new vision for labor-management cooperation must include not only a more powerful board, but also a less partisan one, with members who are independent and neutral experts. Otherwise, the partisan morass will continue, and American workers will suffer.

William B. Gould IV, a law professor at Stanford, was chairman of the National Labor Relations Board from 1994 to 1998.

Remix Guster’s “This Is How It Feels to Have a Broken Heart”

 

This Is How It Feels to Have a Broken Heart This Is How It Feels to Have a Broken Heart

http://guster.com/

Guster was conceived in the wilds of Massachusetts at Tufts University, but soon grew in a very grassroots way into a musical force. Their active relationship with their fans helped cultivate the cult-like shroud that blankets the crowd at every Guster concert.

Continuing the flow of participation from band to fan and back, Guster has provided you with the stems to their new song “This Is How It Feels to Have a Broken Heart”. So, break out those DAWs, MPCs, and other assorted production tools and create an engaging remix.

Enter the contest to download the stems and get started.

Rewards

1 Grand Prize Winner

The Grand Prize Winner, as chosen by the judges from all of the submissions, will:

  • Receive $1,000
  • Have their remix released as a promotional download on Guster’s website
  • Receive the full Guster catalog
  • Receive a Guster Merch pack including: a Guster Track Jacket, signed CD inserts, vinyl copies of Easy Wonderful and Keep It Together, and a Guster T-Shirt

 

5 Honorable Mentions

The 5 Honorable Mentions, as chosen by the Judges from the 10 most popular submissions, will each receive:

  • $100
  • The full Guster catalog
  • A vinyl copy of Easy Wonderful
  • A Guster T-Shirt

What do you think about the name

Far Rockaway’s Far-Out Art Scene

 

By PIA CATTON

A once-derelict marina in Far Rockaway is becoming fertile ground for experiments in the arts and sustainability.

Now used primarily by fishing boats, Marina 59 on Jamaica Bay near Beach 59th Street in Queens will be the summer home of ArtBloc, a nonprofit that creates mobile art units out of shipping containers.

Krisanne Johnson for The Wall Street JournalMarina 59 owner Ari Zablozki discusses his plans for bringing in new attractions to the marina in Far Rockaway this summer, including a container converted into an arts space.

CONTAIN

CONTAIN

It will also host a houseboat turned floating environmental lab dubbed Jerko the Gowanus Water Vacuum, and will become a location for Sea Worthy, a multifaceted project encouraging artistic boat-building and the use of New York’s waterways.

The marina’s profile boost comes at the hands of owner Ari Zablozki, who committed to cleaning up the property in 2009 in an effort to reverse the area’s decades of neglect. Prior to his arrival, the marina was a graveyard for decayed, abandoned boats; until last summer, its only amenity was a bait shop.

Later this month, two steel containers—20 feet long, 8 feet wide and 8 feet, 6 inches tall—will arrive at the marina courtesy of ArtBloc, founded by the husband-wife team of Angus Vail and Julie Daugherty. The containers can be set as a stage, gallery or general-event space, and the couple expects to host events such as concerts, art exhibitions and cooking demonstrations to bring more culture to Far Rockaway.

“It’s an underserved area,” Mr. Vail said.

Because this is ArtBloc’s first venture, the kick-off date will be announced later, to allow time to deal with hiccups along the way.

Mr. Vail isn’t worried: “The Clash didn’t know how to play the guitars when they started,” he said.

Tim Steele Design/Big PrototypeBlueprint for a performance space made from shipping containers.

CONTAINjp

CONTAINjp

Based in Jersey City, Mr. Vail and Ms. Daugherty aren’t curators, but they are on the arts scene: He has managed the business affairs of rock bands (including INXS) since 1988, and she’s a physical therapist for American Ballet Theatre. Their idea for ArtBloc came in Jersey City, where they had hoped to establish an art gallery. The property they wanted wasn’t available, but on it sat a container.

“I thought, we could cut this open and use it as a stage in the summer,” Mr. Vail said.

Manhattan-based designer Tim Steele produced renderings in collaboration with Big Prototype, a design firm in Red Hook, Brooklyn. Flexibility and mobility were the priorities, said Mr. Steele, who designed cut-outs that can be fitted with pop-in windows or used as walkways depending on the configuration. TRS Containers of Avenel, N.J., implemented the designs.

“We cut out openings and welded in a structural frame,” said Frank Staropoli, the special-projects manager for TRS, which has transformed containers into climate-monitoring labs and pop-up stores. Prices for used 20-foot containers run between about $3,300 (for those with doors at the narrow ends) and $6,000 (with doors along the wide side, too).

The two containers will be delivered to Marina 59 via truck. Arriving by sea will be Jerko the Gowanus Water Vacuum, the houseboat renovated by Adam Katzman, coordinator of Expedition Gowanus, a group of creative environmentalists.

Mr. Katzman purchased the boat for $1 at the 79th Street Boat Basin, then moved it to Gowanus and developed solar-energy and rain-water projects on it. “It started out as an experiment in building off-grid systems,” said Mr. Katzman, who had co-owned a solar-energy company. “I’m now into low-tech, do-it-yourself projects and doing more educational work.”

The move to Far Rockaway will allow the lab to be more accessible to the public than it was in Gowanus. Workshops on rain-water harvesting and building solar panels are planned, but in July and August, Jerko will primarily host a residency program that invites applicants (deadline is May 20) to try out sustainability projects—and possibly live—at sea.

The challenge is transporting the hulking boat to Marina 59 from Gowanus. “The currents between here and there are really strange,” Mr. Katzman said. “This boat has had so many additions, it doesn’t sit in the water as it was originally designed to.”

In addition to Jerko and ArtBloc, the marina will host boats created under the auspices of Sea Worthy, a joint project of Flux Factory, the Long Island City-based art collective; the Gowanus Studio Space, a workshop for creative types; and EFA Project Space, a program of the Elizabeth Foundation for the Arts.

Sea Worthy is in part an exhibition—of installations, models and more—that will open June 10 at the EFA Project Space on West 39th Street in Manhattan. It is also a series of workshops and excursions encouraging the use of the water. About 30 artists will create work inspired by the water, including actual vessels. “They’re art boats, essentially,” said Flux Factory’s artistic director, Jean Barberis.

Among the Sea Worthy projects at Marina 59 will be a renovated houseboat that can be rented like a hotel room. Mr. Zablozki also has plans to convert more abandoned boats into a “Boatel.” “Right now,” he said, “there is no place for people to stay.”

The bay-side marina is positioned along a key corridor: It is a short walk from the subway (at Beach 60th St.) and the beach. And with these newcomers, this corridor could be more active than it has been in years.

 

http://www.fluxfactory.org/press/far-rockaways-far-out-art-scene/

http://rwalliance.org/events/

http://nlgnyc.org/

http://www.marina59.com/

 

Police STOPS on Water

Posted: June 11, 2011 in Seasteading

Security Checks on Boaters Disrupt Idyllic Life on the Hudson

Suzanne DeChillo/The New York Times

Westchester County’s police department is one of several agencies patrolling the Hudson River.

By
Published: June 10, 2011

POUGHKEEPSIE, N.Y. — For Bill O’Brien, summer had meant the bliss of the Hudson River ever since he went out fishing for stripers as a boy. But last year, after he was stopped once too often by law enforcement patrol boats with armed officers, he decided he had had it. He sold his 22-foot jet boat, convinced that a once-restful afternoon on the Hudson was just becoming too stressful to enjoy.

Suzanne DeChillo/The New York Times

Bill O’Brien, a longtime Hudson boater, sold his boat.

Suzanne DeChillo/The New York Times

Boaters have been subject to more checks by multiple agencies since the Sept. 11, 2001, attacks.

Readers’ Comments

“One time I got stopped four times in one day,” Mr. O’Brien, 45, an M.R.I. technologist from Orange County, said. “It feels like every agency and municipality on the Hudson has a boat, and they’re all out there trying to justify themselves by finding someone doing something wrong. It’s just gotten out of control.”

Ten years after the terrorist attacks downriver made security checks commonplace, a tea party of sorts is brewing on the Hudson, as boaters and marine businesses complain bitterly about being stopped too often and questioned too closely by officers wearing flak jackets and holstered pistols — many of them on the lookout for terrorists.

And as boating season begins, that vigilance has become one of those vexing flashpoints, like baggage searches and airport body scans, in the shifting definition of what is normal — post-9/11 overreaction to some, and a response to real risks to others.

A petition drive among boaters has generated hundreds of signatures and scores of angry comments.

Boat clubs are mulling strategies, and the largest boating-industry group along the river, the Hudson Valley Marine Trades Association, recently wrote the Coast Guard commander in New York to protest “an incredible increase of recreational vessel boarding.”

Boaters say the stops have multiplied in large part because they are only minimally coordinated among roughly two dozen agencies that watch the river: federal authorities, state police from New York and New Jersey, county sheriffs’ departments and a host of other organizations, familiar and obscure, including the Border Patrol and the New York Naval Militia.

But Coast Guard and law enforcement officials say much of their watchfulness reflects a bigger concern: In addition to its quiet joys and natural splendor, the Hudson is home to some potentially rich targets for terrorists — including the Indian Point nuclear power plant, West Point and the Tappan Zee Bridge — and could become a pathway for attackers to reach New York City unnoticed.

Those officials say that, yes, boaters on the Hudson and on other waterways are far more likely to be stopped than they were in the past, but that is just one way in which life has changed.

“We get a lot of complaints, but maritime safety and security has taken on a whole new direction since 9/11 — we’re more proactive, we’re more vigilant,” said Lt. James Luciano, who oversees the Westchester County Police Department’s marine unit. “Before 9/11, you could access buildings more easily than you can today. Look at airport security.”

No one compiles figures for all the agencies patrolling the Hudson, so it is unclear how much enforcement has escalated. The Coast Guard says its boardings vary from year to year, and dropped to 300 last year, from 741 the previous year.

But the authorities say increased vigilance is needed, given that antiterrorism experts cite small boats as a particular threat — as evidenced in the deadly 2008 attacks in Mumbai, India, that were begun from two inflatable speedboats. About 45,000 boats are registered in counties along the Hudson.

Lex Filipowski, a businessman and motivational speaker, said he had been furious about the situation since he was stopped four times in two days by four agencies.

“If they stopped cars on the roadways the way they stop boats on the river, there would be a revolution” he said.

As he launched his 25-foot-long boat, “Carpe Diem,” at the Pirate Canoe Club here, another boater, Frank Bergman, seemed as concerned with boating politics as with boating.

“We understand they have a job to do to keep the bridges safe and protect Indian Point, but it’s just overkill,” said Mr. Bergman, president of the Hudson River Boat and Yacht Club, which represents 36 boat clubs. “The question in my mind is, is it homeland security or boater safety or just harassment and justifying their jobs?”

Boaters, a sometimes cantankerous and self-regarding lot, have grumbled for years about the stops, which can involve being pulled over for a check of credentials and required safety gear like life vests, or a demand to board the boat for inspection.

The discontent began to escalate when Mr. Filipowski posted an angry statement and petition last June on the Web site of the magazine Boating on the Hudson. More than 250 people signed, many expressing grievances.

“I’m thinking about selling my boat, stopped all the time,” one wrote.

“We are not terrorists and criminals,” wrote another. “We are citizens who own and use boats.”

Marinas and boat sellers, their customers already buffeted by high gasoline prices, also raised alarms. “We are operating in tough economic times and cannot afford to lose customers who are discouraged by law enforcement operations,” Gabe Capobianchi, president of the marine trades association, wrote the Coast Guard last month.

It was not always this way. Before 9/11, some boaters complained of too little law enforcement. “Back then the Hudson felt like the Wild West,” said George Samalot, who has owned a sailboat repair business in West Haverstraw since 1985.

But since 9/11, security and enforcement have been transformed, aided by grants from the Department of Homeland Security that have underwritten more and better boats and manpower. Westchester County did not have a marine unit until 1999; now it has two high-tech surveillance boats that cost $250,000 and $400,000 and can patrol around the clock.

That can be a good thing. When Detectives Kenneth Hasko and C. J. Westbrook cruised from Tarrytown to Cortlandt one recent Friday, their one stop involved rescuing a couple in a new $40,000 boat with a dead battery, stuck on a sunken barge. The officers found the couple’s knowledge of marine safety somewhat lacking.

“You have your flares?” Detective Westbrook asked.

“What’s a flare?” the man replied.

They towed the couple in and made sure they got help. “They could have ended up with a new boat with a hole in the hull,” Detective Westbrook said. “And we’re the bad guys?”

Officials say that while they are sensitive to the complaints, there is no going back to the world before 9/11.

“Job No. 1 is keeping people safe,” said Charles Rowe, a Coast Guard spokesman. “Even the ones who are complaining.”

Open Call: Sea Worthy

EFA Project Space, Flux Factory, and The Gowanus Studio Space partner to bring you Sea Worthy (working title), an experiment in, exploration of, and tribute to maritime art. Beginning in late spring and continuing through the summer of 2011, Sea Worthy will combine exhibitions, workshops, and artist-led events in and around New York City’s waterways and waterfronts.

With over 70 islands and 700 miles of coastline, New York City is a formidable archipelago; this collective project aims to prompt a discussion of access to and use of the waterways of New York – and to reclaim, if modestly, the largest open space in the city – while engaging with related themes in contemporary art practice.  We are seeking artists, boat builders, and creative people to participate in this collective and layered endeavor, and we are soliciting proposals for workshops, construction projects, performances, interactive events, and exhibition-ready artwork. Participants will contribute to one or more of the three main project areas:

Exhibition:
EFA Project Space, on West 39th Street in Manhattan, will host an exhibition exploring the notion that artists and makers employ boats not just as vehicles but as open platforms for social experimentation and as metaphors for personal, artistic, and collective freedom. Plans, diagrams, live footage, photo documentation, animations, re-enactments, and models are all welcome. For more info on EFA Project Space, click here.

Workshops and Projects:
The Gowanus Studio Space will provide a venue for workshops and projects directly connected to maritime activities and culture. We invite boat building workshops, presentations, lectures, book clubs, community meetings, talks, and debriefings that allow the public to participate in the artistic process. Proposals can be for single events and happenings or for projects that span multiple weeks, making use of our open gallery space, wood, metal, and printmaking facilities.  In order to inform your proposal, please see our website for more information about our facilities, past projects, and ongoing programs.

Boats for Public Voyages:
Flux Factory will enlist a crew of boat builders and designers to build a fleet of seaworthy boats. The public will be invited to sail off with Flux Factory and go on expeditions exploring the waterways of New York throughout the summer, on over a dozen ships specially designed and built for this project.  Additional events may include boat jousting, a circumnavigation of Manhattan, bird watching expeditions, and various discussions and panels with experts to be held on the subject of all things nautical.

For more information, submission guidelines, or to apply please click here!

Deadline: Entries must be received via e-mail on or before 5 pm EST on March 7, 2011. Applicants will be notified of their involvement on April 2, 2011.

If you have any questions, please e-mail ben (at ) gowanusstudio.org.

NYC Boat building projects

Posted: April 19, 2011 in Seasteading

Floating Academy at the Walker–

Gabriel in front, open field, anywhere/anyplace academy in background.Sam, Gabriel (Red76), Sara Shaylie (Walker)

Our friends Red76 hosted us this Summer as part of their Open Field residency at the Walker Art Center. A couple of pix, and a video by Juana Berrio, below. Thanks Sarah Peters, Juana Berrio, Sara Shaylie, Chloe Nelson of the Walker, and Sam and Gabriel of Red76!

The Floating Academy was launched in Minneapolis’ Lake of the Isles. Video of the first class discussion, a wrap-up of Red76′s investigations into the Commons, Pop-Up Book Academy #20, is here (or watch below).

PBA #20; Floating Academy pt1 from Sam Gould on Vimeo.

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Posted under Mare Liberum by thefreeseas on Monday 13 September 2010 at 4:33 pm

Tugboat Graveyard with Marie Lorenz

at the Tugboat Graveyardat the Tugboat Graveyard

Well we finally got to make a ML + ML field day happen this Summer, following Stephan and Ben’s meeting with Marie and Neutrino Connie Hockaday earlier in the year — this one thanks to Jean and the good folks at Flux Factory and of course the artist Marie Lorenz herself. Thanks to them all, and to Porter, A’yen, and Kendra. More pix from Stephan Von on FB (from the link above) and the um, (WTF?!) Wall Street Journal which I won’t link to, but you can no doubt find yourselves (and which for some reason is weirdly not at all how I remembered the trip…) Correction: here is the WSJ photo blogger’s post.

Stephan: The first half went on the water in the morning while the rest climbed the big tank (as seen in the  slideshow), and the second half came back in the afternoon when the tide came back in. There was plenty of excitement and it was one of the hardest days of work I have had in a while, but totally worth it.


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Posted under Mare Liberum by thefreeseas on Wednesday 1 September 2010 at 5:47 pm

Hood Canal, Washington State

Back on the hood canal:

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Posted under Mare Liberum by thefreeseas on Wednesday 28 July 2010 at 2:11 pm

The Sea Giveth (shakeouttt 3)

Shout out to the boat folks down in the Rockaways (Olivia Wyatt et. al.) who organized
this amazing art show at Marina 59

Such a great day!

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Posted under Mare Liberum by thefreeseas on Thursday 15 July 2010 at 2:52 pm

Susquehanna River Dories

Our friends in Philadelphia & NY (the crew of the junk raft “The Lusty Jam Cracker”) invited us to come along on their yearly Susquehanna river raft trip this summer. We launched from Owego, NY and six days later we ended up in Sayre, PA.

The dory we took, The Good Dory Yes, proved to be an excellent river explorer, gliding over the shallow rapids. The hull suffered a bit from the sharpest rocks, but the water coming into bilge was cold and made us feel closer to the river — and in any case bailing gave the passenger something to do every half hour. So sweet to be out of the city for six days and in more inviting waters. Amongst the people we met on the way was a wayward fawn that had fallen in upstream and was being carried down river, over rapids. We floated beside her until she reached the shore and stayed near as her shaking legs carried her up into taller grass, and she laid down to dry.

Coming home, the Good Dory Yes was not in such bad shape that she couldn’t make a trip up to Calicoon, NY to be a part of the imported “color” for NADA’s Calicoon County Affair. Pix to come!

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Posted under Mare Liberum by thefreeseas on Saturday 3 July 2010 at 2:19 pm

Gothamist – “Boat Rides on the Gowanus, If You Dare…”

(photo: elizabeth weinberg)(photo: elizabeth weinberg)

Original posting on Gothamist.

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Posted under Mare Liberum by thefreeseas on Saturday 26 September 2009 at 5:47 pm

Surf Dory

Spotted while riding bikes up the coast in Los Angeles today:

http://vimeo.com/moogaloop.swf?clip_id=5793158&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=deba07&fullscreen=1

The boat is about 18 feet long, and of a slightly different shape than our Mare Liberum Dories (closer to a Swampscott dory, with more rounded sides) but same basic design principles — flat bottom, narrow transom, high bow and side lines. A couple of interesting features:

1. The planking lines on the sides. These are faked by cutting planks out of plywood.
2. The holes cut in the sides for the surf to roll over. The space between the decking and the bottom board (3 – 6″ according to the lifeguards) is sealed and fiber glassed to create a buoyant chamber.
3. The perfect rowing seats and foot harnesses.
4. The elegantly thin oar shaft and extended (also quite elegant) blades.
5. Where are the frames? I don’t know. Anyone? Are they so narrow as to be hidden behind an inner wall of plywood/fiberglass?

More surf dory info here:

(scroll to the bottom of the page)

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Posted under Mare Liberum by thefreeseas on Tuesday 28 July 2009 at 1:12 am

Lessons from Buttermilk Channel

The row from Valentino Pier Park in Red Hook to Pier 101 on Governor’s Island for City of Water Day on July 18 presented the first real sea challenge to our beloved dories. It was at once our first test in coordinating a flotilla of dories and in navigating tricky harbor currents. Full disclosure: after surviving two crossings, we feel that our dories are best and happiest on the tranquil and familiarly toxic waters of the Gowanus Canal. We can’t stress this enough: know your water’s currents and tides, and bring safety gear. Enough pfd’s, plenty of line, a spare oar and a civilian band radio are not at all bad things to have along — take it from us, we were underequipped, and we were lucky. That said, our dories did take waves well, and performed in plywood homage to their illustrious forebears – the fishing dories of Greenland’s Grand Banks. We all survived the crossing uninjured save for really gnarly blisters on our hands and chafe marks on our forearms from our cheap plastic life preservers.

We set out at 8 am from the Gowanus Studio Space, lowering the workshoppers’ boat and our improved battleship grey semi-dory down the stairwell using our historic block and tackle, then loaded the boats into a rented truck with the three other water-ready dories. At Valentino Pier Park on Coffey Street, we set to putting finishing touches on the Princess Ladyboat and the as-yet-unnamed Workshopper’s dory (I’ll call her Henrietta for the sake of brevity), adding oar locks and rationing out our life jackets, bailing buckets, makeshift cleats and tender lines. By 9 am our five boats were fully crewed with 14 passengers and 5 captains — we had 5 people in Josephine, 4 in the Mudflap Mermaid, 5 in Henrietta, 4 in Princess Ladyboat and 3 in the semi-dory, a.k.a. HMS Biggie Smalls. We conferred with the Red Hook Boaters, our hosts at Valentino, on the preferred route. The plan was to follow the Brooklyn coast a mile up the Buttermilk Channel, stop and regroup between the two hulking cranes of American Stevedoring, and then cut across the channel – a quarter mile at its narrowest point.

Low tide was estimated about 11 am, and so we were expecting some opposing tidal current as well as some natural current from the Buttermilk. At just after 10 am, the Red Hook Boaters launched their flotilla of about two dozen kayaks, followed by the Sebago Kayak Club. They were joined by a couple of Gowanus Dredgers in a canoe, and several assorted independent kayakers. Once the beach was cleared, we coffin-carried our boats down to the water and launched. Before we had left Valentino Cove, the captain of the Henrietta reported oarlock failure. The wood we had chosen to brace the steel oarlocks was too soft, and with just a couple of pulls of the oars the locks had come free. As we hadn’t bothered to drill and pin the oars to the oarlocks, this meant that the oarlocks would easily come free. A rush effort to correct this error was underway. Now, the pilot of the safety boat (a fishing skiff with an outboard engine) which had been patiently awaiting our departure from the cove grew impatient with us, shouting and waving his arms and prompting us to get on with our launch. We should have kept him waiting while we tested the boat and made sure its oarlocks would hold.

Instead, we set out. The fastest of our ships, the Princess Ladyboat, piloted by Captain Angela, slid around the edge of the rocky point beneath the Snapple soft drink distribution warehouse, and disappeared into the Channel. The Mudflap Mermaidboat was next, and it too deftly skirted the exposed mossy rocks and made it into the Buttermilk. Josephine was third, and made it around the corner with little difficulty. Next came the HMS Biggie Smalls, followed by the hastily repaired and still struggling Henrietta. Biggie Smalls’ oarlocks had also been fastened into soft wood, and the two boats struggled to fight the current. With their oars coming undone at every stroke and the unrelenting current pushing ever away from our destination, the two boats were dragged out into the wide center of the channel. As the three swift lead dories made their way up alongside the Snapple distribution warehouse, poor Henrietta and the HMS Biggie Smalls foundered in the current, the safety skiff circling them like an impatient shark. “Need a tow? Need a tow?” We could hear the safety boat’s pilot shouting as we fought to gain on the Channel’s pull.

Even for the lead boats, the current was a fierce opponent. At best their captains were rowing at maybe 2 knots against the tide, gaining on the shore at a pace slightly slower than your typical grand-dad’s morning walk to the corner store. Still the lead dories fought on, even as our dear friends in the Henrietta chose to take the safety boat’s tender line and accept a tow back to the cove. This was a wise decision, and though our spirits suffered briefly for the loss of our friends, we were glad they would soon be safe and out of the danger of the bustling harbor. [A lesson learned here: always have a hook or cleat which a rescue boat can attach to, or else an attached line long and strong enough to facilitate a rescue, just in case. Henrietta’s crew had to hand hold the safety boat, and being towed in a dory behind an outboard motor’s wake is not an experience we would recommend to anyone. Thanks again go out to Ray Fusco and the MWA/City of Water Day coordinators for having skilled captains and quick ships on hand for our safety.]

With bravado, courage and no small amount of obstinacy, HMS Biggie Smalls finally managed to right its course, and through the hard rowing of Captain Stephan, it made its way at a sea slug’s pace up the Channel. The three lead boats had by now reached the Stevedoring cranes and were fighting their way across the Buttermilk towards the island. Before crossing, we discussed whether to continue on or go back with the aborted boat, but decided we were closer to the goal now than to the entry point, and we had little choice but to continue. Ben, Stephan and Dylan were scheduled for a 12:30 pm artist talk at the Cuny Institute for Sustainable Cities exhibition in Pershing Hall and it was now nearing noon. We paused anyway to pass a stowed-away box of donuts between the dories. Sugar-enriched, we made our way into the Channel, dodging the checkered water taxis and absent minded pleasure yachts and fighting against their wakes. A water-cannon display from the FDNY fireboat marked our crossing. The mile and a quarter row had taken us nearly two hours.

On land, we debriefed on our blundering voyage with MWA safety organizers, and shared stories with other rowers. The Buttermilk Channel (word has it) is a notoriously ill-mannered waterway. With cold brackish water from the Hudson to its east, the salty East River to its north, and the open harbor to its south, the channel acts as a sort of funnel, drawing up water from both ends against the tide. We learned that it can lag 3 hours behind the posted tide tables, which explains why the tidal current fought us even when it was supposed to be bringing us north. Why we ever thought to try to cross it at all, well, all we can say is that it looked innocent enough.

Later that evening, after a day of playing on the island, eating fried cod balls (not what you think), curry dosas, smoked mussels, fine melons and other imported delicacies, the crew of one of our boats now decided to attempt a return crossing. Not yet having heard of the Buttermilk’s lagged tide, they believed the tide would soon be going out seaward again, and once directed, would rightly return us safe and easy to Valentino Cove. What’s more, the dory would have an escort this time – of a kayak and a canoe, each manned by salty and confidence-inspiring sea men. This time there would be no safety boat to offer a kindhearted tow. While our dory would surely never keep up with the kayaks, we thought we’d at least be able to keep pace with the canoe. We were wrong. In fact, on this second crossing we were nearly slower than on our first attempt, our oars were overpowered by the wind and the sea.

We set out again, and within 10 minutes both the kayak and the canoe had left us in their wakes. Captain Dylan rowed valiantly as both the tide and the frequency of water taxis now increased. The sun began to set and a strong wind started to blow across the bow. The dory having no keel to slow its backslide through the water, and aided by the high and wide bow line, it is the wind that perhaps did more than even the current to slow our progress downstream. We fought on, each stroke of the oars driving us a mere yard forward along the shore. Catharine was posted on navigator’s lookout, and would call out the bearings so that we might hit the wake from passing boats at a 45° angle. Paula and Blake sounded the approximate distances to waypoints (150’ to the Cruise Ship terminal, 50’ to the Snapple warehouse) and watched for approaching craft and surprise waves. Captain Dylan made up names for these waves in his head: the Backsided Curler, the Chopped Salad, the Dreaded Sharkwave, the Black Tarantula, the Jolly Rumbler.

Luckily, we had brought enough pfd’s for the whole crew this time around, and two sets of oars. The first, a pair of 6.5’ oars Paula and Ben had sculpted from a recovered bit of NYPD barricade, proved to be too short to handle the cresting wakes of the continually menacing powerboats. The 8’ oars were requested and rigged – Paula lashed them skillfully to a set of unused oarlocks – and we continued, gaining slightly better against the tide. After half an hour of rowing, the oars needed to be lashed again into their oarlocks. Rowing continued. We passed Carolina aboard the Mary S. Whalen, an old tanker ship and sometimes opera house, and waved. Blake suggested we go aboard and have a beer, but it was not clear how we would dock, with the current and wind tossing us about. Instead we fought on against the churning high tide, wishing for the next hour that we had found a way to stop.

When finally we reached the end of the Channel, we fell into our hardest fight. Glancing backwards at what a wildly throbbing sea the navigator had been focused on all along, the captain’s stomach dropped and he nearly fainted. The sea was frothy and mean, with 1.5 – 2’ high crests coming from and moving toward every foreseeable direction. We came around the Snapple distribution warehouse and caught two waves full along the starboard side. The modest freeboard (the distance from the waterline to the top of the gunwhales) reduced the force of the wave, but the boat was now carrying several inches of water in its belly. A second and then a third wave caught us as we rounded out the turn and pulled toward the Cove. At this point, an NYPD speedboat raced up along side us. Through a bullhorn we heard not the anticipated offer of a helpful tow, but, an admonition: “Ehhhhh-hmmm. You there. You don’t have any lights and it’s getting dark. Turn back!” Stunned, the captain shouted back, “We’re headed in. Just as soon as we get around this corner,” and added, “Of course, you should feel free to wait around in case we don’t make it.” The police boat assented to wait, monitoring our slow and flooded progress. A good fight lay ahead of us, but as we rounded the back of the Snapple warehouse, a sigh and then a roar of gladness went up from the crew.
On land we were greeted by whiskered hugs from the Dredgers who had already taken us for lost at sea, and had in fact alerted the Coast Guard just moments before we cleared the turn. The sudden chop which had nearly thrown us over had also forced the Dredger canoe in to the safety of Valentino Cove, where they were happy to wait out our arrival and wish us well – and then give us a tongue lashing for our dory’s every inadequacy, our own ill preparedness, and for generally not resembling either a kayak or a canoe. Within the hour the sea had calmed. With the tide truly slack and still, the Dredgers now turned their canoe again seaward, and braced themselves for a twilit row back up the Gowanus Canal. We would have liked to go with them to our own favorite boat launch and unofficial home on Second Street, but we had yet to deal with the abandoned Henrietta, whose crew had hidden her carefully and lovingly amongst the tall reeds of Valentino Pier Park.

* * *

Epilogue: At the end of the day, we made it home safe and sound and with more knowledge of the sea, and having many ideas for modifications and improvements to our dory fleet. For one thing, fighting tides and cresting wakes from passing ferries is no fun at all. A second set of oars (with two rowers) might have gotten us more power, but it is doubtful we would have felt much more at ease. The Grand Banks Dory was designed to be dropped from a mothership at intervals upwind. Nets would be laid, fish would be brought up, after which the dory would coast home, downwind, to be again hoisted up onto its mothership. While some extraordinary cases of people making long sea voyages in a Banks Dory have been reported, these were clearly made either by necessity or in imitation of a one-time necessity.

Don’t get us wrong here, the Mare Liberum Dory handled well and survived the sea, and even so we prefer still waters…lakes, canals, some creeks, an occasional river, a calm sea. For more about dories, their strengths and defects, read Michael Storer’s dory design pages. Storer: “…they are NOTORIOUSLY unstable until you get half a load of fish aboard – ie up to seat level. There are some mentions in traditional material that this was great for a commercial fishing vessel as there was a great incentive to catch fish quickly.”

The Free Seas.

PS – thanks to Jazmine for the photos from the pier.

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Posted under Mare Liberum by thefreeseas on Tuesday 21 July 2009 at 4:34 pm

Waiting for City of Water Day

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Posted under Mare Liberum by thefreeseas on Wednesday 15 July 2009 at 7:12 pm

June 26-28, 2009: Boatbuilding Workshop at the Gowanus Studio Space

Mare Liberum is going to be hosting a three-day workshop later this month at the Gowanus Studio Space. Attendees will learn how to trace our templates (and take some home) create all the necessary pieces for building a boat and assemble a complete liberum dory. We’ll also be sealing up an existing dory and adding finishing touches (paint, seats, floors, etc…) to one of the existing fleet. As part of the workshop we’ll be taking people on a couple of different rowing excursions around the city. Sign up here!

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